It goes without saying already that I love music – like really love music – and not just some of it, but all of it. And Lord knows that I will listen to some really rando shit for far longer than most people can tolerate. It’s my own special super power: Able to listen to truly unlistenable shit for long periods of time.
Not exactly “cape worthy”, is it?
It’s not really my fault though, seeing as how growing up my mom only listened to nothing but Barry Manilow and the Stealing Home soundtrack, and my dad of course only listened to what my mom listened to, so clearly I didn’t learn much from my parents other than what I didn’t like. For having grown up listening to such shit music, it’s amazing that I like music at all to be perfectly honest with you, but for whatever reason I was fascinated by it … all of it.
And over the years, I haven’t just listened to music either – I’ve studied it. I’ve deep-dived and explored all the different fashionable trends and styles of music over the years, largely on my own, and I have a pretty good idea regarding the “what’s what” of classic albums for most popular genres. I’m just as likely to wax on endlessly about obscure 70’s garage bands as I am to put my favourite Walter Ostanek album on the turntable while doing so.
I’ve said it before and I will say it again, I am a beautiful and unique snowflake and often, I have even tortured my poor family with my diversity. (Lest we forget, click HERE.)
Having said all this, much of what I listen to now is just fucking awesome.
My favourite though for many years, was the blues.
Like most middle class white suburban kids, I knew absolutely nothing about “the blues”. I mean, no one in my neighbourhood growing up had a nickname like “Blind Boy”, “Memphis” or “T-Bone”. We did have a “Shakey Jake”, but that’s because he had Parkinson’s disease. (Kids are cruel, sue me) None of us made cigar box guitars to play on street corners, none of us were ever beaten unless we really deserved it, and we sure knew nothing about ‘share-cropping’ unless it in reference to stealing strawberries from the next door neighbour’s garden and, believe me, there was no “sharing” about it. In other words, I had absolutely zero frame of reference when it came to learning about the tragedy and misery that is the Blues, but there was still something about it’s rustic nature that genuinely appealed to me, or maybe I just dug the whole folklore of ‘meeting the devil at the crossroads’, I dunno exactly, but for a very long time it’s all I ever listened to.
Like any dedicated rookie, I listened to all the greats: Muddy Waters, Robert Johnson, Son House, John Lee Hooker, Lightning Hopkins, Slim Harpo, Leadbelly, and more blind guys than you could shake a white cane at. If they played a guitar, had holes in their shoes and had a sad story to tell, I would listen to it. This is how I discovered another bluesman with whom, I would become quite obsessed for some time. However, this bluesman did not actually come from this side of the Atlantic at all, but rather from Macclesfield, Cheshire, U.K.. I’m, speaking about John Mayall.
Specifically, it was Mayall’s Jazz Blues Fusion album that drew me in.
But I soon came to seek out many more albums spanning Mayall’s weird and disjointed career: A Hard Road, Blues from Laurel Canyon, Bare Wires, Moving On, The Turning Point, and The Latest Edition. I don’t know why I gravitated towards this rather quirky bluesman at the time, it’s not like he had the same “rootsy” authenticity of the black American blues players, but Mayall’s style and gravitas somehow drew me in and captivated my attention. After all (as I learned), it was largely through Mayall’s legendary band The Blues Breakers, that other notable bluesmen such as Eric Clapton, Peter Green, and Mick Taylor all passed on their way to establishing lofty careers and achievements of their own in rock legend, so the dude has some clout.
However, in later years there was always the added bonus to John Mayall albums of getting to see the photographs of the band on the back cover.
I have no idea what dark forces might be at play here, but only John Mayall could manage to attract these kinds of yahoos (circa 1974):
Seriously, I don’t picture a lot girls hanging around back stage after one of their shows
I also like this era (circa 1979):
Nice suit, Clark.
Regardless, for whatever reason I loved the guy.
Well, his music anyway … the man?
Not so much.
I have seen John Mayall twice, once just across the border in Buffalo, New York at the legendary Tralf Music Hall where I even had the opportunity to meet the man in person.
It didn’t end up going very well though.
I had borrowed my dads car and had crossed over the border to see the show by myself. The concert itself was pretty cool and I felt privileged to have seen one of my (then) idols play a mere few feet away. I was definitely feeling pretty stoked. After the encore, John came out to sit at his merchandise table to sign autographs and whatnot.
Graciously (or so I thought at the time), John was signing newly purchased CD’s, posters, t-shirts, or whatever else people wanted to shell out their money on while still basking in the after glow of John’s performance. Unfortunately, he didn’t have any vinyl records on him as I would have surely considered those for purchase, but as it was I already owned the sole CD available for sale, the shirts were ugly as all get out and really, who buys posters?
Besides, I only had $20 left for enough cheap American gasoline to get home, with enough left over to pay the tolls at the Peace Bridge on my way back into Canada; I was living quite frugally back then and I had splurged on the ticket as it was. However, I came prepared for just such a contingency and had the good foresight to bring along my Jazz Blues Fusion album for him to sign instead. Afterwards, I might attempt to shake his hand, thank him for a good show, and perhaps express an interest for him to come back soon, before I would relinquish his attention and considerately move along in line with my prize to promptly exit the building in an expedient manner like the good, decent, rule-abiding, concert-going sheep I am; the perfect memento from the perfect evening with a music icon and blues legend.
What could be simpler?
Now, I’ve met a few famous people in my lifetime so I’m not really the kind of guy that goes all ga-ga over celebrity types, but in this case I was absolutely starstruck and nervous as a cat in a room full of rocking chairs. I patiently shuffled obediently along in line, all the while eavesdropping on the conversations up ahead between John and the other concert-goers and to me, from what snippets I could make out, John didn’t seem very, shall we say – talkative. In fact, from my vantage point he seemed downright surly.
I also became very conscientious that I was the only one in line already holding an album, as evidently, everyone here was for the “signature/CD/t-shirt/poster” combo.
My anxiety started to spike …
Surely, he’s just tired and therefore being quiet I consoled myself. He’ll be happy to sign my silly record and perhaps even let me gush over him a little bit, before he casts that knowing look to the security that both signals and says ‘please have this fawning twit removed now’.
Sadly, it didn’t go that way.
As I had already picked up on, John was in a foul mood. God knows what his reasons were or whether he’s just genuinely a gruff person by nature, but by the time my broke ass with my beat up copy of Jazz Blues Fusion showed up at his table, he was having none of it.
Being practically scared to death by this point, I wordlessly held out my album to him to sign and – I swear – he never so much as even looked down at it. In fact, he never broke eye contact with me the entire time and a very awkward silence began to lapse between us; his eyes shot white hot laser beams that bore directly into my skull …
This was an intense man.
Finally, I mustered a little courage to speak and while I don’t remember exactly what it was that I said, it was likely something along the lines of “Hey, I’m a really big fan and I was really hoping you’d sign this for me please.” Sadly, it was probably one big run-on sentence that I managed to spit out between feverish pants and gasps for air, more like: “IMMABIGFANCANYOUSIGNTHIS?”
Obviously not my suavest of moments, but hey …
Anyway, he just looked at me and if I’m not mistaken, there might have been a tad of contempt in eye, before he outright says to me, “You gotta buy something first”.
I was stunned and a bit mortified.
“I already own that CD, it’s awesome”, I said hoping to save a little face. “I was hoping you could sign this instead”, I added still holding out my record. Again, it was more like: “IGOTTHATALREADYCANYOUSIGNTHISINSTEAD?”
“Buy a t-shirt or a poster then”, he said rather pointedly in his thick English accent.
I couldn’t believe what a dick he was being, and I’m pretty sure my heart actually exploded while my brain imploded simultaneously together as by this point, he had forced a ‘put up or shut up’ type situation, and as I really needed the gas and toll money to get home again, then was nothing left to do but stalk off from the table in shame with my still unautographed record under my arm like a chump.
Oh, and hey John …
Thanks for nothing, you douche.
Truthfully, it was a long time before I could listen to John Mayall again, believe me.
In fact, I’m not sure I’ve bought a John Mayall album since – used or otherwise – and while I still love me some Jazz Blues Fusion and still play it from time to time, however it’s not without also remembering that awkward encounter and that cantankerous old fart.